Interview realized on novembre 16th, 2014.


Nayoung Kim is fascinated by raw material, each individual’s energy, the elegance of chance. Her works are gentle, suspended and refined moments; architectural pieces withsubtle clues of human activities, direction and languages. Paying close attention to the ecosystem in which she moves in, she precisely creates the situations, which question her ways of doing, and educates an open-work community.

 

About Idoine:

Sometimes a crow or a raven, in order to crack open a nut, will stop at a red light, put it on the road and, once the light turns green, expect cars to drive over the nut, leaving its content exposed. The context in which this bird lives, influences its ways of doing things, so to speak, opens possibilities and creates challenges.Idoine is the will to share a curiosity and an appetite for modes of operation, conditions for its guests’ surfacing of tools and internal logic.Idoine is led by Jérémy Glâtre, Eléonore Pano-Zavaroni and Pascale Riou, in collaboration with guests and occasional fellow travelers.


Format: 102 × 176 mmPages: 68Languages: Français/EnglishTranslator: Emilie McDermottRelease: Janvier 2016ISSN: 2430-7572This issue was made with the support of Échos, a partnership between the École Supérieure d’Art de l’Agglomeration d’Annecy (ESAAA) and the Musée d’Art Moderne et Contemporain de Genève (MAMCO) supported by the European Union, produced by ESAAA as part of DSRA - Art Research PhD.

Idoine & Nayoung Kim (2016)

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